EdgeKz
The world today presents a wide range of music genres for people of all tastes. Whether electronic or heavy metal, sounds of any kind are available for everyone. Some of Kazakhstan’s outstanding musicians try to preserve traditional sounds and give them a modern twist.
This year, Almaty hosted The Spirit of Tengri festival for the third time. The event attracted ethno musicians from Kazakhstan, China, Estonia, Georgia, Hungary, Norway, Russia and Turkey.
The Spirit of Tengri is organized to unite the efforts of the current generation to preserve the spiritual riches of its ancestors, according to the festival’s website. Participants are successors of the traditions rooted deeply in the history of thousands of years of the Great Steppe.
Three groups, Tigrahaud, Arkaiym and Aldaspan, shared their stories and their experience at the festival with “EdgeKz.”
Tigrahaud, created two years ago, was the brainchild of Daniyar Zhakiyanov, who is also its manager.
“I have been dreaming about such a project for a long time and later when I was forming a group there were very tough requirements for the musicians. First, the professional level had to be high, as well as the performing skills, and the key point for me was the versatility, meaning that in addition to the main instrument, the musician had to play another folk instrument,” he said.
Zhakiyanov’s idea was to show audiences as many folk instruments as possible with a small band. From the beginning, Tigrahaud has aimed at drawing Kazakh and international audiences and promoting national folk music to the world.
The group is named for one of the Saka tribes that lived in the area of the modern Almaty region and the tribe that created the famous Golden Man unearthed from the Issyk burial mound. The moniker fits, as the group lives in Taldykorgan, where Tigrahaud formerly resided.
This year the band participated in the Spirit of Tengri for the first time. The group has grand plans. It wants to show the world who the Kazakhs are, their extraordinarily-beautiful, sometimes cruel history and how a small nation had to defend the land from barbarians – all through its music.
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Arkaiym, a duo created in April 2014, is another bright representative of Kazakh ethno-folk music. Members Abzal Arykbayev and Anara Kassymova, who also perform with the famous ethno-folk groups Turan and Art-Dala, developed a new direction which they call neo-ethno-folk. The genre is a completely different direction in music, embodying the synthesis of diverse musical styles. The basic idea behind the duo’s creation was the desire to recreate the sound of old, archaic instruments in an entirely new interpretation.
The artists play more than 30 types of folk musical instruments, both Kazakh and world types, including winds of Native North Americans, didgeridoo (shamanic musical instrument of the Australian Aborigines), darbuka (Turkish national musical instrument) and Kyrgyz instruments.
As any musician or band, Arkaiym wants world fame – not their own fame, but fame and recognition of Kazakh folk instruments.
“Because we have a priceless treasure, which unfortunately is sometimes unnoticed by us,” the duo explained.
Working at the Museum of Musical Instruments, the performers have a chance to draw visitors closer to the country’s musical heritage through training, workshops and exhibitions. They released their first album, “Arkaiym,” with the help of The Foundation of the First President of Kazakhstan through which they won a grant for creative development, and are looking forward to the release of their first video.
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Aldaspan, created by Nurzhan Toishy, is famous among ethno music lovers for its electric dombra sound. Toishy fell in love with heavy metal as a kid. Listening to riffs by James Hetfield, Kerry King, Max Cavalera and others, he realised their emotional sound was very similar to the riffs and chords used in Kazakh kuis. Toishy played the dombra in high school; after graduation, he and Murat Kubekov, a piano-tuner and dombra maker for the Kazakh State Conservatory, created three experimental electro dombras. He continued to tinker with the design, wanting to show to the world the possibilities of the instrument, and chose heavy metal as his style, opting to leave dombra playing to others and becoming a drummer, soloist and front man.
Aldaspan is a heavy kind of sabre used against armored soldiers and cavalry. The group identifies with war, courage, bravery and fighting; real men’s stuff, the backbone of Turkic folk songs. Kazakh people formed the basis of Genghis Khan’s army and for them, war was their main profession after farming.
Combining heavy metal with Kazakh national instruments makes the sound fresh and unusual.
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